a very small portrait of a marriage

日本語: 日本で開催された第12回国際鳥類保護会議を記念する朱鷺を描く切手。

日本語: 日本で開催された第12回国際鳥類保護会議を記念する朱鷺を描く切手。 (Photo credit: Wikipedia)

 

They never talked to each other of their feelings. After a while it was difficult to say whether they didn’t talk because they didn’t want to deepen the grief in the other, whether they were anxious that even the one person they shared their grief with would not be able to relate to its depth or even feel hurt by it – or whether it was because they were guarding their own grief with a certain possessive jealousy. The spring changed their marriage. It was the first time they did not talk to each other about something that kept their minds occupied.  It became more difficult to talk about the daily life as well.

 

Thus they were quiet in each other’s company. Iris was dedicating herself to creating miniature watercolors, none of them larger than the palm of a woman’s hand, some as small as a postal stamp. She used the finest brushes and worked deliberately slow. She had perched a nature encyclopedia on the kitchen table and truthfully to nature had copied illustrations of small insects and birds, placing them in imaginary and impossible landscapes filled with a soft green light that on better days implied a spring day, on days of more severe depression dark and damp shadows.

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